Twitter Content Design
A big part of my role at Twitter was creating content—hundreds, maybe thousands, of graphic assets designed to support our Marketing efforts. Every piece was built with care, always staying true to the global brand guidelines.
Over the years, I designed everything from event presentations, whether for in-house gatherings or public speaking engagements, to pitch decks for our sales teams, helping them showcase Twitter’s ad solutions to clients. There were also countless one-pagers and two-pagers breaking down our offerings, visuals for the articles I wrote on marketing.twitter.com, assets for @TwitterMktgFR tweets, emails, event websites, and more.
It was thousands of hours of work, and it taught me so much. It’s during this time, with the guidance and passion of my incredibly talented coworker Emiland De Cubber, that I discovered a deeper love for design. So much so that, at the end of my time at Twitter, I decided to take things further by enrolling in a one-year online master’s program in graphic design at LABASAD.
–
Typeface: Chirp.
Type
Professional work
Company
Role
Marketing (sales materials)
Graphic design (decks, digital assets)
Date
2015–2022
Twitter Content Design
A big part of my role at Twitter was creating content—hundreds, maybe thousands, of graphic assets designed to support our Marketing efforts. Every piece was built with care, always staying true to the global brand guidelines.
Over the years, I designed everything from event presentations, whether for in-house gatherings or public speaking engagements, to pitch decks for our sales teams, helping them showcase Twitter’s ad solutions to clients. There were also countless one-pagers and two-pagers breaking down our offerings, visuals for the articles I wrote on marketing.twitter.com, assets for @TwitterMktgFR tweets, emails, event websites, and more.
It was thousands of hours of work, and it taught me so much. It’s during this time, with the guidance and passion of my incredibly talented coworker Emiland De Cubber, that I discovered a deeper love for design. So much so that, at the end of my time at Twitter, I decided to take things further by enrolling in a one-year online master’s program in graphic design at LABASAD.
–
Typeface: Chirp.
Type
Professional work
Company
Role
Marketing (sales materials)
Graphic design (decks, digital assets)
Date
2015–2022
Twitter Content Design
A big part of my role at Twitter was creating content—hundreds, maybe thousands, of graphic assets designed to support our Marketing efforts. Every piece was built with care, always staying true to the global brand guidelines.
Over the years, I designed everything from event presentations, whether for in-house gatherings or public speaking engagements, to pitch decks for our sales teams, helping them showcase Twitter’s ad solutions to clients. There were also countless one-pagers and two-pagers breaking down our offerings, visuals for the articles I wrote on marketing.twitter.com, assets for @TwitterMktgFR tweets, emails, event websites, and more.
It was thousands of hours of work, and it taught me so much. It’s during this time, with the guidance and passion of my incredibly talented coworker Emiland De Cubber, that I discovered a deeper love for design. So much so that, at the end of my time at Twitter, I decided to take things further by enrolling in a one-year online master’s program in graphic design at LABASAD.
–
Typeface: Chirp.
Type
Professional work
Company
Role
Marketing (sales materials)
Graphic design (decks, digital assets)
Date
2015–2022
Twitter Content Design
A big part of my role at Twitter was creating content—hundreds, maybe thousands, of graphic assets designed to support our Marketing efforts. Every piece was built with care, always staying true to the global brand guidelines.
Over the years, I designed everything from event presentations, whether for in-house gatherings or public speaking engagements, to pitch decks for our sales teams, helping them showcase Twitter’s ad solutions to clients. There were also countless one-pagers and two-pagers breaking down our offerings, visuals for the articles I wrote on marketing.twitter.com, assets for @TwitterMktgFR tweets, emails, event websites, and more.
It was thousands of hours of work, and it taught me so much. It’s during this time, with the guidance and passion of my incredibly talented coworker Emiland De Cubber, that I discovered a deeper love for design. So much so that, at the end of my time at Twitter, I decided to take things further by enrolling in a one-year online master’s program in graphic design at LABASAD.
–
Typeface: Chirp.
Type
Professional work
Company
Role
Marketing (sales materials)
Graphic design (decks, digital assets)
Date
2015–2022
Twitter Content Design
A big part of my role at Twitter was creating content—hundreds, maybe thousands, of graphic assets designed to support our Marketing efforts. Every piece was built with care, always staying true to the global brand guidelines.
Over the years, I designed everything from event presentations, whether for in-house gatherings or public speaking engagements, to pitch decks for our sales teams, helping them showcase Twitter’s ad solutions to clients. There were also countless one-pagers and two-pagers breaking down our offerings, visuals for the articles I wrote on marketing.twitter.com, assets for @TwitterMktgFR tweets, emails, event websites, and more.
It was thousands of hours of work, and it taught me so much. It’s during this time, with the guidance and passion of my incredibly talented coworker Emiland De Cubber, that I discovered a deeper love for design. So much so that, at the end of my time at Twitter, I decided to take things further by enrolling in a one-year online master’s program in graphic design at LABASAD.
–
Typeface: Chirp.
Type
Professional work
Company
Role
Marketing (sales materials)
Graphic design (decks, digital assets)
Date
2015–2022
Twitter Content Design
A big part of my role at Twitter was creating content—hundreds, maybe thousands, of graphic assets designed to support our Marketing efforts. Every piece was built with care, always staying true to the global brand guidelines.
Over the years, I designed everything from event presentations, whether for in-house gatherings or public speaking engagements, to pitch decks for our sales teams, helping them showcase Twitter’s ad solutions to clients. There were also countless one-pagers and two-pagers breaking down our offerings, visuals for the articles I wrote on marketing.twitter.com, assets for @TwitterMktgFR tweets, emails, event websites, and more.
It was thousands of hours of work, and it taught me so much. It’s during this time, with the guidance and passion of my incredibly talented coworker Emiland De Cubber, that I discovered a deeper love for design. So much so that, at the end of my time at Twitter, I decided to take things further by enrolling in a one-year online master’s program in graphic design at LABASAD.
–
Typeface: Chirp.
Type
Professional work
Company
Role
Marketing (sales materials)
Graphic design (decks, digital assets)
Date
2015–2022
Twitter Content Design
A big part of my role at Twitter was creating content—hundreds, maybe thousands, of graphic assets designed to support our Marketing efforts. Every piece was built with care, always staying true to the global brand guidelines.
Over the years, I designed everything from event presentations, whether for in-house gatherings or public speaking engagements, to pitch decks for our sales teams, helping them showcase Twitter’s ad solutions to clients. There were also countless one-pagers and two-pagers breaking down our offerings, visuals for the articles I wrote on marketing.twitter.com, assets for @TwitterMktgFR tweets, emails, event websites, and more.
It was thousands of hours of work, and it taught me so much. It’s during this time, with the guidance and passion of my incredibly talented coworker Emiland De Cubber, that I discovered a deeper love for design. So much so that, at the end of my time at Twitter, I decided to take things further by enrolling in a one-year online master’s program in graphic design at LABASAD.
–
Typeface: Chirp.
Type
Professional work
Company
Role
Marketing (sales materials)
Graphic design (decks, digital assets)
Date
2015–2022
Event presentations
Event presentations
Event presentations
Event presentations
Event presentations




Pitch decks
Pitch decks
Pitch decks
Pitch decks
Pitch decks




Two-pagers
Two-pagers
Two-pagers
Two-pagers
Two-pagers




Articles
Articles
Articles
Articles
Articles




@TwitterMktgFR
@TwitterMktgFR
@TwitterMktgFR
@TwitterMktgFR
@TwitterMktgFR
















Emails
Emails
Emails
Emails
Emails




Event websites
Event websites
Event websites
Event websites
Event websites